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Post Info TOPIC: Electrical / Electronic weapons


Captain

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Electrical / Electronic weapons
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I am wondering to what extend research was carried out during WW I on electrical / electronics weapons.
- early form of radar was tested and patented before the war but I have never heard of any application/test during the war ?
- a Popular Mechanix-style mag had a cover about "electrocuting the enemy" which seems weird being illustrated as a "death ray" gun but would appear much more realistic using electrified wires in front of one's own trench or using the tendency of trenches to get water logged for putting some high voltage device in contact with such stagnant water (it seems the Japanese thought of throwing an electrified wire net on their enemies during WW II)
- sound weapons like where built by the Germans at the end of WW 2 also seems to be at a technological level that would make them "thinkable" by WW I
- another  (quite famous) Popular-Mechanix cover featured remote-control turrets
and then there was Mr Tesla with all his fancy ideas  on the other side of the  Big  Pond ...

But what was actually tried (or at list seriously considered) during WW I ?

JCC

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Legend

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The Germans made some used of electrified fences, primarily on the Belgian Dutch and Alsace Swiss borders but also in a couple of places on the Western Front where the local conditions allowed the generators to be located in caves or very strong bunkers. There were some suggestions for the electrification of the cables of British barrage balloons but these seem to have eminated from the lunatic fringe and were not taken seriously or followed up. As far as sound is concerned, I did some research on sound weapons for a book some years ago and found nothing in the form of offensive weapons (sound location and ranging is quite a different matter) during WW1 - for what its worth here is the relevant extract
"

Sound is another form of transmitted energy. Its use as a weapon has been largely confined to the field of psychological warfare, that of affecting morale. Military bands may boost the morale of ones own side whilst fearsome noises (such as produced by the Celtic war horns) may be employed to strike fear into the enemy. On a few occasions more direct effects have been sought.

 

When the Romans fought the Germanic tribes there were occasions when the legionaries were besieged in their fortified camps. It appears that they were subjected to non stop rhythmic drumming from teams of German drummers. Not only did this have a negative impact on moral and also deprived the Romans of sleep but it may also have had physiological effects. The huge war drums used by the Germanic tribes would have produced sub sonic harmonies well below the threshold of hearing. These can produce feelings of deep unease and fear and constant exposure may result in permanent damage to the nervous system. It has been suggested that Roman veterans of this campaign suffered from long term psychological problems.

 

It was in Germany again that the concept of using sound as a physical weapon was revived in the 20th century. In the later part of World War Two Dr. Richard Wallauschek designed the sound cannon. This used specially designed combustion chambers in which a mixture of methane and oxygen was pumped in on a regular (and frequent) cycle and ignited. The explosions created shockwaves that produced a very high amplitude sound beam emitted at pressures in excess of 1,000 milibars about 50m away. The sound was focused using parabolic reflectors. It was believed that the sound beam would cause soldiers caught by it major discomfort and could be fatal. Tests on animals tended to support this. No tests were carried out on humans (which is surprising given the nature of the Nazi regime). Like so many other weird weapons the sound cannon was shipped off to the USA where nothing more was heard about it. In post war France a government scientist, Dr.Gavreau, embarked upon a series of experiments aimed at the development of sonic weapons. Various accounts of these are often contradictory but it would appear that one laboratory was destroyed and a number of research assistants made very ill. The results of Gavreaus work do not appear to be in the public domain and one must assume that the French government is sitting on these. In 1999, in Berlin, a paper was presented by Jurgen Altmann to the conference of the Acoustical Society of America. This questioned reports that the US government was conducting experiments along the same lines as Dr.Gavreau. Altmann questioned the efficacy of such devices and ended by stating he had found no evidence that humans would be disabled by being severely disturbed or losing physical control: I have found no hard evidence for vomiting or uncontrolled defecation, even at levels of 170 dB or more. The idea that sonic weapons were possible was dismissed as emanating from conspiracy-heads or military nuts. This is strange as there is well documented evidence of instances where sound has produced just those specific symptoms that Altmann claimed not to have found. In the late 1950s the Republic Aircraft Corporation developed a turbo prop fighter intended to match the speeds of pure gas turbine jets. Testing of this aircraft, the XF-54H Thunderscreech, had to be abandoned as the high speed of the propeller tips produced potentially lethal inaudible shock waves. Such noise had serious effects on the human nervous and digestive systems so that anyone standing within 200 yards of the aircraft when its engine was running up for takeoff was subjected to extreme nausea and a blinding headache, for many the vibrations had the same result as a powerful and instant enema. It could take more than 24 hours to recover. It is interesting that these are precisely the symptoms that Altmann denied were possible. one has to wonder if some dis information exercise was being carried out



-- Edited by Centurion at 15:53, 2008-08-20

-- Edited by Centurion at 15:53, 2008-08-20

-- Edited by Centurion at 15:54, 2008-08-20

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Field Marshal

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I have also seen electric wire obstacles mentioned, also on the Eastern Front, but the unanimous verdict on these seems to have been that they were really not worth the bother. As I remember this was also early in the war, typically 1915, when the zest for find technological "quick-fixes" for this new type of situation was at its maximum.

-- Edited by Peter Kempf at 09:48, 2008-08-24

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Colonel

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Dear Peter ,

i made a picture from a big "artillery phonetic system " .

In Koblenz war tecnical museeum.

It looked very old . The mechanik parts dated for me like

a construction in the early 20'ties . Maybe this monster

was even older ????

I must go to Koblenz the next days for another research,

so i can look for more information.

The picture above is the only one i took-

Best regards

Gerd

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Colonel

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sorry - normally i have a look at the explanation board ,but in this case i was in a hurry...

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Captain

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This looks like a sound ranger/ course plotter. These were widely used from mid-20s to the early 40s to spot and target aircraft at night (in those pre-radar days). I have an article somewhere claiming the concept was tried earlier in WW 1 using a simple wood plank which would separate sound left/right or to/left. So with two guys you knew "where to look for". The machine you photographed looks to me as a typical mid-30s equipment with four baffles being piloted by two soldiers and the course being plotted possibly in the square trailer shown in front of it. There was very little electronics in it actually , that's the brains of the two operators that are used as "micro-chips" to turn sound picked up from an aircraft into rotation of the machine to track the plane. The rotation of the baffles is then electro-mechanically conveyed onto a course plotting chart. These devices are usualy quite big and odd looking with the baffles looking like anything from square boxes to saxophones and they sure would make nice additions to any Sci-Fi movie arsenal. But if the machine you photographed turned to be pre-1919 it would certainly be a find!

JCC

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Captain

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PS : artillery at the difference of aircraft does not produce a continous noise so I doubt it would be possible to spot a precise gun battery from the sound of it. flashes and smoke seem more usefull.

JCC

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Legend

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I had said that sound was not used as an offensive weapon but detection and ranging was another story

Sound based aircraft detection systems were used quite widely during WW1 but I think the machine shown is probably from about 1930 (I have seen photos of similar apparatus developed by the Japanese at about this time). There were of course the huge concrete sound mirrors built in Britain. Development of these continued after the war and some still remain in place today. However more portable devices were also built during WW1 and I enclose a photo. of a French device

The big problem with sound is that it is relatively slow. The aircraft making it arrives not too long after the sound is detected so that the advanced warning is relatively short. With WW1 aircraft speeds this was usually about 15 minutes which is time to scramble a fighter (and get it to altitude) if you have one standing by with its engine at least warmed up, by WWII the time was down to the proverbial four minutes so sound was dropped even before radar was available.

The use of sound for locating guns was first tried by the Russians using multiple mictophones connected to a machine invented by a man named Benois (one of the late Peter Ustinov's ancestors). I enclose a photo of one preseved in a St Petersburg museum. By the end of the war a much more sophisticated British system was in widespread use, further developed it was used in WWII.
These location and ranging machines used sound so low as to be inaudible to the human ear so the machine was essential.

-- Edited by Centurion at 12:25, 2008-08-24

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Legend

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I've extracted the sections relative to sound location and ranging from a presentation made by Brigadier Fraser Scott MA.

Sound ranging began, for the British, when Lawrence Bragg, a RHA officer and Nobel Prizewinner, was sent to France in October 1915. The French and Germans had already started. Lucien Bull in Paris had developed a recorder based on his work on recording heartbeats. He proposed using an Einthoven string galvanometer with the movement of the strings, and that of a timing device, recorded photographically. Bragg got a Bull recorder and started to sound range just south of Ypres in the Second Army area. He had a mathematician, and electrician, an instrument maker and five others. He got going and persuaded the authorities to add more recorders. He had worked at Manchester under Rutherford and got eight other scientists from there. But the real problem was the microphone type carbon granule this was excellent for high frequencies but useless for the low frequency of guns firing (40 hertz or 40 cycles per second).

Sound ranging too improved. Bragg had noticed how, when sitting on the privy of his billet, he was lifted when the noise of a gun firing arrived. This indicated that the gun sound moved the air. Corporal Tucker had arrived in this section: he had experimented at Imperial College on the cooling of hot platinum wires by air currents and they thought that such wires would respond to the gun sound but not to higher frequencies. They got some thin wire, put it across a hole in an ammunition box, connected it to their recorder and, when a German gun fired, there was a large break in the film record.

As Bragg had written " it converted sound ranging from a very doubtful proposition to a powerful practical method. They also realised that, if the microphones were set out regularly, it was much easier to pick out the signal from one gun, or from a battery

Tucker himself was commissioned and sent to the Artillery School on Salisbury Plain to form an Experimental Section to work on sound ranging. And early in 1917 they had a series of sound ranging conferences to disseminate new ideas. Ludendorff, directly under Hindenberg, issued an order summarised:

"The English have a well-developed system of sound ranging. Precautions are accordingly to be taken to camouflage the sound eg registration when the wind is contrary, many batteries firing at the same time, simultaneous firing from false positions".

He also wanted to have a British sound ranging apparatus captured.

Studies were made of locating accuracy: 4th Survey Company found that of 230 German battery positions 86.5% had been correctly located.  More sound ranging sections were authorised.

We now come to the battle of Cambrai in November 1917.  This was the first battle when all the artillery fire was to be predicted, with no preliminary registration, to achieve maximum surprise.  All the heavy and siege batteries were surveyed in and provided with bearing pickets as well as some of the field ones.  90% of the hostile batteries had been correctly located, mostly by the locators.



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Captain

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Thanks for the info on sound ranging !

Shouldn't we split this thread into a new "sound ranging" thread and let only the "weirdo"/experimental stuff here ?

JCC

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Legend

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JC Carbonel wrote:

Thanks for the info on sound ranging !

Shouldn't we split this thread into a new "sound ranging" thread and let only the "weirdo"/experimental stuff here ?

JCC



Posssibly but how do you split a thread?  Perhaps start a new thread on unconventional weapons?


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Hero

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Don't forget the first radio bearing stations for directing the bombing routes of Zeppelins and later for aircraft form Germany towards England. Of course, shortly after the Brits used electronic jamming measures to intercept the signals and also to distort them.

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Legend

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d_fernetti wrote:

Don't forget the first radio bearing stations for directing the bombing routes of Zeppelins and later for aircraft form Germany towards England. Of course, shortly after the Brits used electronic jamming measures to intercept the signals and also to distort them.



Whilst Britain did much in this area it was the French who had the biggest impact as the German were using signals from French stations to triangulate and plot their course. The French suceeding in fooling the German navigators that signals from one station were in fact coming from another (so that, for example, signals thought to be from the Eifel Tower transmitter were in fact coming from one 65 miles away - this put off the German triangulations not a little). The result was the loss of several Zeppelins returning from a raid on Britain which ended up way off course (one even being blown out into the Mediterranean). At the time it was all blamed on the weather (as the Allies hoped to be able to do the same again) and kept the deception exercise very hush hush. Quite a few modern histories of the Zeppelin raids have perpetuated the 'error'. Britains speciality appears to have been the transmission of spoof messages to the Zeppelins, the most succesful being one seemingly eminating from Germany ordering the 'East Africa' airship carrying supplies to the German forces still fighting there ordering the airship to turn back  over the Sudan and return to its base in Southern Austria.



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Colonel

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Hello Gentlemen !
Sorry that i take part of the discussion so late after my post.
I tould there that i will have a special look to the museeum exponate in some weeks
and find out more about tis type. Indeed it is so as you all mean : accustical signs of
aeroplanes coming up are hardly to make out exept the direction they came from.
You can make a test by you own going to a civil airfield where sportmachines are starting and
landing. Please close your eyes and turn an arm in the direction where you think an aeroplane is coming from . Open your eyes and have a quick look . You will be astonished
in which direction you point !!
How said Air Marshall Sir Hugh Dowding ?
We believe in Good and pray for R A D A R !

In this sence

Nice discussions here

Your's sincerely

Gerd

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Colonel

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I am very ashamed to have written God with two O .hmm

Here again : We believe in God and pray for Radar .

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Legend

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JC Carbonel wrote:
...

But what was actually tried (or at list seriously considered) during WW I ?

JCC



Sorry to be resurrecting a comparatively ancient topic but I see nobody has mentioned Italian engineer/inventor/(probable) confidence trickster Giulio Ulivi and his "Radiobalistica". Web searches should reveal numerous "hits" - such as http://www.carlobramantiradio.it/ulivi.htm.  While the Italian language is far from my strong suite (and on-line translations are imperfect) it seems the idea was to locate munitions by a form of radar then focus microwave (or perhaps terahertz - it was all "infrared" in those days) frequencies for the induced electric currents and arcing to then detonate the target.  Numerous trials were conducted, arcing effects were incontestably demonstrated (much to the discomfort of iron-shod horses and power station operators) but unfortunately field trials were unable to replicate the same successes with explosives hidden by observers as for those prepared by Ulivi himself.

It was certainly taken very seriously at the time, by the French, Italians and the British.  And quite possibly by the Germans too.  A fantasist would note that we still have little idea of the effects high-powered terahertz radiation might have on materiels and there appears to be insufficient information on the construction of Ulivi's apparatus to rule out a THz operating principle for it.  Ulivi called his rays F-rays (after his initial Italian Admiral sponsor) and then M-rays, after the Admiral's 19 year-old daughter with whom he eloped.

Anyway, this is sounding very similar to the magazine-cover story mentioned by the O/P.  Although it seems to bear the full set of hall-marks of a 'con job' to these jaundiced eyes it was, as said, apparently taken quite seriously at the time.  The serious skeptics seem to have emerged after the event.

[edit] Just to add that this New York Times article of 21 June 1914 seems quite close to some of the detail in the Italian source given above:

http://query.nytimes.com/mem/archive-free/pdf?res=9500E2DA1F39E633A25752C2A9609C946596D6CF

(note, 559Kb PDF, initial load can be slow).

 



-- Edited by Rectalgia on Sunday 15th of November 2009 07:49:45 AM

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Captain

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This Italian is completely unknown to me but right into what I was looking for ! Thank you very much.

JCC

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Captain

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But I could not locate any patent about a "death ray" from this Mr Giulio Ulivi ... a pity

JCC

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